Day 9, hold up wait, do you mind?
I'm gonna let Doc. Scott run it back one more time
Knowledge enshrined thorough a college tested grind
Polish his dime, pennies for these thoughts of mine
I swear this is a fiesta
Crumble the roof like frescoes from Piero della Francesa
Don't start the vino, or start the vino
I know that you'll agree
Do what i say Arlequinno
We know, yes indeed, we know
I'm Frank and Patrick's Dino, Godfathers amongst bambinos
The body is an instrument with which you compose
So grab the staff and pencil in dozens of notes
Strike a pose, open not closed
Communicate your status without your voice or your clothes
You have to be neutral
Because every little motion you commit is very crucial
Now shift your belt, then your chest and your neck
Then move your head to put your tension all in check
Pay attention and give professors respect
Take some notes so you can re-quote from the text
Save that info, keep all of your haters vexed
The money's on you once Lady Luck has made her bets
All my dogs with me, none of my favorite pets
Tu mo si l'ammore Bella mia at it's best
Italian Soundtrack by C.A pt. 9: http://www.youtube.com/watch?v=-I8-pU40hMI
The lesson for today is body awareness. As people, we rely on sight too heavily; the other senses, particularly touch, can be utilized to a much higher degree. Mr. Fabio calls this "magic." I call it chi, a kind of warmth that if you focus upon, can be used to communicate a multitude of information. Consider the body as an instrument.
This aforementioned Mr. Fabio, is Fabio Mangolini, an accomplished Commedia practitioner and teacher. We worked through many basic exercises to increase body awareness but my favorite is something i recall as the "Nutella" exercise. The group and I walked around the room normally until we were told to walk as if we were moving through air. we proceeded from water to yogurt to Jell-O and finally to Nutella. The trick comes when the pattern is broken up and you must quickly adapt your movement to accommodate the delicious atmosphere. This was particularly useful to me once I got back to the U.S, as I was cast in a production of the Fantasticks as Henry, an old, former thespian. This consciousness of weight throughout the body was something that helped me express the character's age more authentically. We also worked with a neutral mask. That ended up being much trickier than the concept leads you to believe. Every motion is crucial. The lesson of the exercise was the absence of something being itself and entity, like the concept of zero. Needless to say, it was also a lesson in failing to learn by learning to fail. But it's not like Thomas Edison gave up after the fourth light-bulb.
The second part of our day was spent in more lecture with Dr.Scott. In this class, we went over the Renaissance specifically.
Nearly every culture has belief they've fallen from a Golden Age. Christians from Garden of Eden, Romans from Greeks, Aztecs from Toltecs.
The Scientific revolution defined modern as superior, people believed that they were living in one of these "Golden" eras. Quantity becomes more important than quality as times viewed as "perfect." Progress not towards something but progress for progress itself.
People adopted the Greek vision-that man is a quality-less being. Meaning they can create themselves. Fire from Prometheus becomes man's quality. This insinuates that since man's only quality is external from themselves, man distinguishes himself by how he manipulates the world around him. They also viewed the character of man as a changing(think modern dependence on technology). They quantified this change as an uncontrollable element i.e, stain of Original Sin, Oedipus complex, genetics.
Nearly every culture has belief they've fallen from a Golden Age. Christians from Garden of Eden, Romans from Greeks, Aztecs from Toltecs.
The Scientific revolution defined modern as superior, people believed that they were living in one of these "Golden" eras. Quantity becomes more important than quality as times viewed as "perfect." Progress not towards something but progress for progress itself.
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